This series is part of a growing visual-ancestral practice — one that includes audible marginalia, epigraphic fragments, and ancestral interleaving. The images are documents, but they are also witnesses. My intention is not to monumentalize the botanical, but to invite intimacy with the unnoticed. To see a weed is to recognize persistence.
These are not just prints. They are the murmurs beneath the soil. Tradition and experimentation, permanence and ephemera, restraint and exuberance—this duality is echoed in my personal history as both an identical twin and an artist grounded in process.
Parker&Creative 