Constellation / Counterpoint / Vestige / Surrender / Thresholds
Across photography, hybrid generative processes, drawing, and layered printmaking, I explore the quiet intervals between memory and material, intuition and reason, rupture and renewal. These works do not resolve the tension; they inhabit it. Silence becomes a medium. Line becomes mediation. Pattern becomes an act of listening.
Thresholds hold the moment where passage is paused long enough for recognition to occur.
Thresholds is the overarching architecture of my practice:
a system of passages—
from inheritance into individuation,
from collapse into coherence,
from the familiar into the newly possible.
Here, silence is not absence;
it is agency.
A place where empathy steadies,
discernment sharpens,
and the self steps forward without disappearing.
This is the quiet equilibrium:
a practice of learning to see again,
to listen deeper,
to translate lived experience into forms that can hold it
without collapse.
Thresholds at the Edge
Each of these two works engages the delicate work of balancing what must be held with what must be released. Vessels appear as memory architectures. Florals emerge as breath. Shadows function as interlocutors. Transparency becomes a form of truth-testing.
Thresholds is an ongoing body of work that explores moments of transition—where perception shifts, structure softens, and meaning is renegotiated. These works attend to states of becoming rather than resolution, examining how containment and openness coexist as conditions rather than opposites. Each piece inhabits the edge where form holds just long enough to be felt, then yields.
These works explore openness not as exposure, but as a threshold—where containment and allowing remain in dynamic balance.
Threshold: At the Edge of Containment
A study in held form—where density, boundary, and pattern gather without collapse. The surface resists clarity while quietly recording pressure, memory, and restraint.
Threshold: At the Edge of Allowing
A study in permeability—where form thins, light passes through accumulated layers, and structure loosens without disappearing. Openness emerges not as release, but as discernment.
Parker&Creative 